Early life[ edit ] Stallman was born March 16, ,[ citation needed ] in New York Cityto a family of Jewish heritage.
Propaganda Machine "The business of the journalists is to destroy the Mann mit 45 single, to lie outright, to pervert, to vilify, to fawn at the feet of mammon, and to sell his country and his race for his daily bread" In America, John Swinton, then the pre-eminent New York journalist, was the guest of honour at a banquet given him by the leaders of his craft.
Someone who knew neither the press nor Swinton offered a toast to the independent press. Swinton outraged his colleagues by replying, "There is no such thing, at this date of the world's history, in America, as an independent press.
You know it and I know it. There is not one of you who dares to write your honest opinions, and if you did, you know beforehand that it would never appear in print.
I am paid weekly for keeping my honest opinion out of the paper I am connected with. Others of you are paid similar salaries for similar things, and any of you who would be so foolish as to write honest opinions would be out on the streets looking for another job.
If I allowed my honest opinions to appear in one issue of my paper, before twenty-four hours my occupation would be gone.
The business of the journalists is to destroy the truth, to lie outright, to pervert, to vilify, to fawn at the feet of mammon, and to sell his country and his race for his daily bread. You know it and I know it, and what folly is this toasting an independent press? We are the tools and vassals of rich men behind the scenes.
We are the jumping jacks, they pull the strings and we dance. Our talents, our possibilities and our lives are all the property of other men. We are intellectual prostitutes.
Propaganda Machine There are quite a few things that could be said about it and that is one of the reasons we did not comment on this before. But Benya keeps insisting and projecting guilt on all those who decided to make his "earthquaking revelations" of quite questionable value and validity, made for the purpose yet to be determined, available in full as soon, as they are published, which does make quite some sense.
Why shouldn't some people have a chance to know what is going on as soon as it comes out, just because they either do not have a computer and have to read it in some public place, or do not have money to spend on it, or may not even have a bank account, or live in some country where the kind of money he charges is comparable to their monthly incomes, not even mentioning the issues of identification of "undesirables" or considering that all his big words and projections are not worth more than a used condom to be thrown into a garbage bin once is usefulness expires?
How corrupt one needs to be to even conceive of an idea to place a prices sticker on nothing less then Truth itself, if there is any to begin with? Is it available only to some "chosen few", and not to mere "mortals" that either can not afford to pay or do not even consider that all these wild stories of Benya are worth a penny?
Is there any evidence that all his concoctions, inventions and "prophecies" are anything more than a plain show for the "fools" and a "herd of sheep", "full of fury, signifying nothing"?
Why does he need to charge money for his grand concoctions and "revelations" of all kinds if not to make something fake look like something really valuable? There is another interesting question with quite some consequences: Let us go through it point by point.
This is ALL about money, "profits" and gain on purely commercial level and it isn't even a real solution to a problem of supporting the creative people regardless of the "commercial value" of their work. The copyright law, as it stands, is not even meant to support the creativity.
With sufficient marketing hype, nearly anything may be pushed to the levels of mass hysteria resulting in sales of utter garbage, and even utmost evil, in millions of copies.
But genuinely creative works are not guaranteed to bring enough income to even support the most basic needs of the authors and there are plenty of examples of it. But the point here is that Benya poses as some kind of a "warrior for Truth", nothing less.
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The Bach-Gesellschaft Ausgabe (English: "Bach Society Edition") of the complete works of Johann Sebastian Bach was published in a series of 46 volumes from , by the Bach-Gesellschaft and Breitkopf & Härtel in Leipzig.
A single supplemental volume was issued in The last surviving editor of the series died in , and these volumes are public domain worldwide.